Quote:
Originally posted by RawAlex@Jun 9 2004, 06:50 AM
Hi Def in and of itself won't change much (except the sets have to be built better, because people can actually see how bad they look otherwise), but the US government's move to force broadcasters to move to Hi Def only in the next 18 months or so certainly does create issues.
If there was no government mandate, I don't think there would be any rush, and there wouldn't be any potential. Because of the rush, well...
Who knows, right? :-)
Alex
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You gotta point. But the real winners manufacture the hardware. Samsung will make millions. Jumping into high def at the production end is no different than jumping into tv and film production. In film they just call it digital and it is happening now. The same folks are doing the lighting and operating with the addition of a video engineer to shade and track levels. There could be a future in that, but it will still only pay you 80 to a hundred grand a year and you got to live in a production center where they make lots of movies. If you jump into high def in a smaller market, you could get creamed. I know folks who jumped in too early and failed big time. And where I live we make tons of movies, documentaries and tv series. So it is a dodgy future unless you been to broadcasting school and know what you are up against. Just an informed opinion if you are intereste. Not rainin in your parade at all.